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rock","url":"https://www.last.fm/tag/soft+rock"},{"name":"folk","url":"https://www.last.fm/tag/folk"}]},"bio":{"links":{"link":{"#text":"","rel":"original","href":"https://last.fm/music/America/+wiki"}},"published":"04 Mar 2006, 15:55","summary":"America is a rock band, most popular in the early and mid 1970s, that had many hits including the #1 hits \"A Horse With No Name\" and \"Sister Golden Hair.\" Comprised of Gerry Beckley (September 12, 1952 - ), Dewey Bunnell (January 19,1952 - ), and Dan Peek (November 1, 1950 - July 24, 2011), they were seldom a favorite with critics, but were exceptionally successful commercially selling both singles and albums. Despite the presence of other heavyweight acts like James Taylor and Rod Stewart on their roster Read more on Last.fm","content":"America is a rock band, most popular in the early and mid 1970s, that had many hits including the #1 hits \"A Horse With No Name\" and \"Sister Golden Hair.\" Comprised of Gerry Beckley (September 12, 1952 - ), Dewey Bunnell (January 19,1952 - ), and Dan Peek (November 1, 1950 - July 24, 2011), they were seldom a favorite with critics, but were exceptionally successful commercially selling both singles and albums. Despite the presence of other heavyweight acts like James Taylor and Rod Stewart on their roster, America was Warner Brothers Records' biggest selling act of the 1970s.\n\nSons of American fathers and British mothers, their fathers being military personnel stationed at the West Ruislip USAF base in London, all three attended London Central High in Bushey, Hertfordshire in the mid-60s where they met while playing in two different bands.\n\nThey eventually got together and formed the rock band America, honoring the name of the homeland they had hardly even seen during their several travels around the world. They played their first gigs in pubs and clubs in the London area, including some highlights at the Roundhouse, where Pink Floyd had been playing at the beginning of their own career.\n\nTheir first LP was recorded at Trident and Morgan studios in London and produced by Ian \"Sammy\" Samwell, who was known for the hits he had written for Cliff Richard, with the assistance of Jeff Dexter.\n\nThe album was initially released in Europe with only moderate success and without the breakout hit \"A Horse With No Name.\" Samwell helped the group to record and persuaded the Warner Brothers label to release the new song on an EP which was highly popular in the United States as well as in Europe.\n\nAmerica the album was re-released with \"Horse\", and quickly went platinum with the other favorites \"I Need You,\" \"Sandman,\" and \"Riverside.\" Their second album, appropriately named Homecoming, saw the band moving back to the United States to record. The most notable song was \"Ventura Highway.\"\n\nThe group's fourth album Holiday had them with George Martin (former producer for The Beatles), who worked with them through Silent Letter in 1979 with much success. The next album, Hearts, featured \"Sister Golden Hair\" and \"Daisy Jane.\"\n\nPeek left the group after recording Harbor in 1977. The remaining duo produced many more albums and had one more significant radio hit, \"You Can Do Magic,\" reaching #8 on the pop charts in 1982. Their last top-40 hit was \"The Border,\" which went to #33 on the pop charts (and #4 on the adult contemporary charts) the next year.\n\nAmerica continued with consistent live work and sporadic recordings following their departure from Capitol Records in the mid-80s.\n\nIn 1982 America provided the soundtrack for the magical anime film The Last Unicorn. Although officially produced by an American company, the film is an important transitional work in the development of Japanese anime, since most of its animation was subcontracted to the Japanese company Topcraft. The music was composed by Jimmy Webb, though performed by America, and the title song was covered many times later on. The tone is wistful and the themes are of loss.\n\nBeckley released a solo set - \"Van Go Gan\" - in 1999.\n\nLater, in his post-America career, Peek became a born-again Christian and released some highly-successful Contemporary Christian albums. His autobiography \"An American Band\" chronicles America's most successful period and his own spiritual journey.\n\nMembers include: \nGerry Beckley (1970-present) - lead and backing vocals, keyboards, guitars, bass, harmonica\nDewey Bunnell (1970-present) - lead and backing vocals, guitars\nDan Peek (1970-1977) - lead and backing vocals, guitars, bass, keyboards, harmonica Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply."}}51:T2c8b,{"id":"34cf95c7-4be9-4efd-a48a-c2ea4a0bb114","type":"Group","type-id":"e431f5f6-b5d2-343d-8b36-72607fffb74b","score":100,"name":"America","sort-name":"America","country":"US","area":{"id":"489ce91b-6658-3307-9877-795b68554c98","type":"Country","type-id":"06dd0ae4-8c74-30bb-b43d-95dcedf961de","name":"United States","sort-name":"United States","life-span":{"ended":null}},"begin-area":{"id":"f03d09b3-39dc-4083-afd6-159e3f0d462f","type":"City","type-id":"6fd8f29a-3d0a-32fc-980d-ea697b69da78","name":"London","sort-name":"London","life-span":{"ended":null}},"disambiguation":"US folk/soft rock band","isnis":["0000000122541957"],"life-span":{"begin":"1970","ended":null},"tags":[{"count":5,"name":"rock"},{"count":1,"name":"folk"},{"count":2,"name":"folk rock"},{"count":5,"name":"soft rock"},{"count":1,"name":"adult contemporary"},{"count":2,"name":"pop 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After the success of their number one Latin rock instrumental hit \"Tequila\", the pair returned to Los Angeles to work as session musicians. \n\nIn 1962, Jimmy Seals, Dash Crofts, Glen Campbell, and Jerry Cole left The Champs to form a band named \"Glen Campbell and the GCs\" which played at The Crossbow in Van Nuys, CA. The band only lasted a couple of years before the members went their separate ways. Crofts returned to Texas and Seals joined a band named \"The Dawnbreakers\" (a reference to a book by the same name). Crofts eventually returned to California to join The Dawnbreakers. However, The Dawnbreakers turned out to be unsuccessful. Crofts married fellow Dawnbreaker Billie Lee Day in 1969, and both Seals and Crofts were introduced and converted to the Bahá'í Faith. \n\nAfter the failure with The Dawnbreakers, the two decided to play as a duo, with Seals on guitar, saxophone and violin, and Crofts on guitar and mandolin. They signed a contract with Talent Associates and released two LPs, which were largely ignored. The pair signed a new contract with Warner Bros. Records in 1971. Their first album with their new label was also unsuccessful, but their second album, Summer Breeze charted at #7 in 1972. \n\nAfter a long and successful run of recordings in the 1970s, the two lost their contract with Warner Brothers and set aside music for a while. They held a short reunion tour in 1991–1992 and appeared at several Bahá'í gatherings. Crofts lived in Mexico, Australia and then Nashville, playing country music and making occasional hit singles. Seals moved to Costa Rica and has lived on a coffee farm since 1980. \n\nIn 2003, Seals and Crofts reunited and recorded a new album, \"Traces\", for the first time since 1998. They toured during 2004–2005. \n\nIn the early 2000s up to 2008, Seals embarked on various tours with his brother Dan (\"England\" Dan Seals, of England Dan & John Ford Coley), billing themselves as Seals & Seals. \n\nIn December 2010, the bandmates' daughters Juliet (Seals) Crossley and Amelia (Crofts) Dailey, along with Genevieve (Bogan) Dozier, daughter of Seals and Crofts engineer Joey Bogan, formed a musical trio called The Humming Birds. They released their self titled EP The Humming Birds in September 2012.\n\nIn 2018, Brady Seals (Jim's cousin) and Lua Crofts (Dash's daughter) began touring as Seals and Crofts 2, performing the catalog of Seals and Crofts, as well as some new music. Read more on Last.fm. 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flight from New York to Los Angeles.","urls":["http://www.corneliusbumpus.com/","https://en.wikipedia.org/wiki/Cornelius_Bumpus"],"namevariations":["Bumpus"],"groups":[{"id":37223,"name":"The Doobie Brothers","resource_url":"https://api.discogs.com/artists/37223","active":false},{"id":1180172,"name":"The New York Rock And Soul Revue","resource_url":"https://api.discogs.com/artists/1180172","active":true},{"id":1804939,"name":"The Cornelius Bumpus Quartet","resource_url":"https://api.discogs.com/artists/1804939","active":true}],"data_quality":"Needs Vote"}}],"data_quality":"Needs Vote"}56:T67b3,{"name":"The Doobie 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rock","url":"https://www.last.fm/tag/classic+rock"},{"name":"rock","url":"https://www.last.fm/tag/rock"},{"name":"70s","url":"https://www.last.fm/tag/70s"},{"name":"Southern Rock","url":"https://www.last.fm/tag/Southern+Rock"},{"name":"soft rock","url":"https://www.last.fm/tag/soft+rock"}]},"bio":{"links":{"link":{"#text":"","rel":"original","href":"https://last.fm/music/The+Doobie+Brothers/+wiki"}},"published":"21 Feb 2006, 01:27","summary":"The Doobie Brothers is an American rock group formed in San Jose, California in 1970, best known for hit singles like Black Water, China Grove, Listen to the Music, Long Train Runnin', and What a Fool Believes. They have sold over 40 million albums worldwide. The Doobie Brothers were inducted into The Rock and Roll Hall of Fame in 2020.\n\nIn 1969, singer, guitarist and songwriter Tom Johnston and drummer John Hartman formed the nucleus of what would become The Doobie Brothers. Read more on Last.fm","content":"The Doobie Brothers is an American rock group formed in San Jose, California in 1970, best known for hit singles like Black Water, China Grove, Listen to the Music, Long Train Runnin', and What a Fool Believes. They have sold over 40 million albums worldwide. The Doobie Brothers were inducted into The Rock and Roll Hall of Fame in 2020.\n\nIn 1969, singer, guitarist and songwriter Tom Johnston and drummer John Hartman formed the nucleus of what would become The Doobie Brothers. Skip Spence of Moby Grape (and formerly of Jefferson Airplane) introduced them to one another after Hartman arrived in California determined to meet Spence and join an aborted Grape reunion. New bandmates Johnston and Hartman called their fledgling group Pud and experimented with different lineups (occasionally in the lineups was Spence) and styles as they performed in and around San Jose. They were mostly a power trio (along with bassist Greg Murphy) but briefly worked with a horn section. In 1970, they teamed up with bass player Dave Shogren and singer, guitarist and songwriter Patrick Simmons. Simmons, who had belonged to several area groups (among them was the band \"Scratch\", which was an acoustic trio with future Doobies bassist Tiran Porter) and also performed as a solo artist, was already an accomplished fingerstyle player whose approach to the instrument complemented Johnston's rhythmic R&B strumming. In a recent interview, Tom Johnston attributed the band's eventual name to friend and housemate Keith \"Dyno\" Rosen, who noted the guys' fondness for \"doobies.\" They considered the new moniker an improvement over Pud.\n\nThe Doobie Brothers honed their chops by performing live all over Northern California in 1970. They attracted a particularly strong following among local chapters of the Hells Angels and scored a recurring gig at one of the bikers' favorite venues, the rustic Chateau Liberte' in the Santa Cruz Mountains. An energetic set of demos (eight of which were briefly and illegally released on Pickwick Records in 1980 under the title Introducing the Doobie Brothers, and have since been bootlegged on CD under that title and On Our Way Up as well, both with expanded song selections), showcased fuzz-toned dual lead electric guitars, three-part harmonies and Hartman's frenetic drumming and earned the rock group a contract at Warner Bros. Records.\n\nAt this point in their history, the band's image reflected that of their biggest fans - leather jackets and motorcycles. However, the group's 1971 self-titled debut album departed significantly from that image and their live sound of the period. The album, which failed to chart, emphasized acoustic guitars and frequently reflected country influences. The bouncy lead-off song \"Nobody,\" the band's first single, has surfaced in their live set several times over the ensuing decades.\n\nThe following year's second album, Toulouse Street (which spawned the hits, and classic rock staples, \"Listen to the Music\" and Jesus Is Just Alright), brought the band their breakthrough success. In collaboration with manager Bruce Cohn, producer Ted Templeman and engineer Donn Landee, the band put forward a more polished and eclectic set of songs. They also made a change to the line-up, supplementing Hartman's drumming with that of Navy veteran Michael Hossack while still touring behind their first album, (A concert from June 14, 1971 at the Fillmore West bears this out as it has this short-lived lineup). Also, the band recorded several songs on the second album with Shogren on bass, guitar & background vocals. But during the album's recording, Shogren left after disagreements with producer Templeman. Shogren was replaced with singer, songwriter and bass guitarist Tiran Porter. Porter and Hossack were both stalwarts of the northern California music scene, Porter having previously played in Scratch with Simmons. Porter brought a funkier bass style to the band and added his husky baritone to the voices of Johnston and Simmons, resulting in a rich three part harmonic vocal blend. Pianist Bill Payne of Little Feat contributed keyboards for the first time, beginning a decades-long collaboration that included many recording sessions and even a two-week stint with the touring band in 1974. With an improved rhythm section and the songwriting of Johnston and Simmons, the Doobies' trademark sound - an amalgam of R&B, country, bluegrass, hard rock, roadhouse boogie, and rock and roll - emerged fully formed.\n\nA string of hits followed, including Johnston's \"Long Train Runnin'\" and \"China Grove,\" from the 1973 album The Captain and Me. Other noteworthy songs on the album were Simmons' country-ish ode South City Midnight Lady and the explosive, hard rocking raveup, Without You, for which the entire band received songwriting credit. Onstage, the latter song would sometimes stretch into a 15-minute jam with additional lyrics ad-libbed by Johnston. A 1973 appearance on the debut episode of Don Kirshner's Rock Concert featured one such epic performance of the tune.\n\nIn the midst of recording sessions for their next album, 1974's What Were Once Vices Are Now Habits, Hossack abruptly departed the band citing burnout from constant touring. Drummer, songwriter and vocalist Keith Knudsen (who previously drummed for Lee Michaels of Do You Know What I Mean fame) was recruited promptly and left with the Doobies on a major tour within days of joining in September of 1973. (Hossack subsequently replaced Knudsen in the band Bonaroo, which served as an opening act for the Doobies shortly thereafter.) Both Hossack's drums and Knudsen's voice are heard on Vices.\n\nIn 1974, Steely Dan co-lead guitarist Jeff \"Skunk\" Baxter learned that his band was retiring from the road and that Donald Fagen and Walter Becker intended to work almost exclusively with session players in the future. In need of a steady gig, he segued into the Doobie Brothers as third lead guitarist in the middle of their current tour. He had previously worked with the band in the studio, adding pedal steel guitar to both Captain (\"South City Midnight Lady\") and Vices (\"Black Water,\" \"Tell Me What You Want\") and had already been playing with the band as a \"special guest\" during that year's tour.\n\nVices included the band's first #1 single: Simmons' signature tune \"Black Water,\" which featured the memorable refrain, \"I'd like to hear some funky Dixieland, pretty mama come and take me by the hand\"; climbed to the top of the charts in March 1975; and eventually propelled the album to multi-platinum status. Johnston's lyrical Another Park, Another Sunday (as a single, it featured \"Black Water\" as the B-side) and his horn-driven funk song \"Eyes of Silver\" had also charted at #32 & #52, respectively, the previous year.\n\nDuring this period and for several subsequent tours, the Doobies were often supported on-stage by Stax Records legends The Memphis Horns. Live recordings with the horn section have aired on radio on the King Biscuit Flower Hour, though none has been officially released. They also appeared as session players on multiple Doobies albums.\n\nBy the end of 1974, Johnston's health was suffering from the rigors of the road. He was absent when the band joined The Beach Boys, Chicago and Olivia Newton-John on \"Dick Clark's Rockin' New Year's Eve\" that December. By then, the western-themed Stampede had been completed for release in 1975. It featured yet another hit single, Johnston's cover of the Holland-Dozier-Holland-written Motown hit Take Me in Your Arms (originally sung by Kim Weston and also covered by Blood, Sweat & Tears). The song included a distinctive Baxter guitar solo. Simmons contributed the atmospheric \"I Cheat the Hangman,\" as well as Neal's Fandango, an ode to Santa Cruz, Jack Kerouac and Neal Cassady. Ry Cooder added his slinky slide guitar to Johnston's cowboy song, \"Rainy Day Crossroad Blues\".\n\nBy the start of the Spring 1975 promotional tour for Stampede, Johnston's condition was so precarious that he required emergency hospitalization for a bleeding ulcer. With Johnston convalescing and the tour already underway, Baxter proposed recruiting a fellow Steely Dan alum to fill the hole: singer, songwriter and keyboardist Michael McDonald. Simmons, Knudsen, Porter and McDonald divvied up and sang Johnston's parts on tour while Simmons and Baxter shared lead guitar chores.\n\nUnder contract to release another album in 1976, the Doobies were at a crossroads. Their primary songwriter and singer remained unavailable, so they turned to McDonald and Porter for material to supplement that of Simmons. The resulting LP, Takin' It to the Streets, debuted a radical change in their sound. Electric guitar-based rock and roll gave way to blue-eyed soul and soft rock emphasizing keyboards and horns. Baxter contributed jazz-inflected guitar stylings reminiscent of Steely Dan, along with more emphasis on minor chords throughout many of the song's inner melodies. Above all, McDonald's voice became the band's new signature sound. Takin' It to the Streets featured McDonald's title track and It Keeps You Runnin', both hits. (\"It Keeps You Runnin'\" would be covered by Carly Simon appearing on her album Another Passenger, with the Doobies backing her). Bassist Porter wrote and sang a tribute to the absent Johnston, entitled \"For Someone Special.\" A greatest hits compilation, Best of the Doobies, followed before year's end. (In 1996, the Recording Industry Association of America certified Best of the Doobies \"Diamond\" for sales in excess of ten million.)\n\nTheir new sound was further refined and McDonald's dominant role cemented with 1977's Livin' on the Fault Line. It featured a cover of the Motown classic \"Little Darlin' (I Need You),\" \"Echoes Of Love\" (written for, but not recorded by Al Green, by James Mitchell, then of the Memphis Horns, and Earl Randle, both of whom had worked with Green a good bit, to which Simmons added some music and lyrics, co-writing the finished version with Mitchell and Randle, the song was later covered by the Pointer Sisters), and \"You Belong To Me\" (co-written by McDonald and Carly Simon, who had a hit with her own version of the tune). To help promote Fault Line, the band performed live on the PBS show Soundstage and appeared as themselves in a two-part episode of the television comedy What's Happening!!. This album is a shimmering, nearly seamless masterpiece, perhaps the most musically sophisticated and richest in the Doobies' history. Jeff Baxter used an early type of guitar synthesizer (made by Roland) on many of the tracks (it is heavily featured in his solo on the title track, as well as on \"Chinatown\"). There are also wonderful overall band and vocal arrangements and some absolutely superb horn and string arrangements by David Paich that augment the band's great playing. In addition, it featured even more use of minor chords, as often used in jazz. Unlike many pop/rock groups that utilize minor chords for their dark and foreboding feel, the Doobies managed to temper that with strong pop hooks, resulting in an album that, though not really jazz, had much of the feel of the \"cool jazz\" era in a pop setting.\n\nBoth Streets and Fault Line reflected Tom Johnston's diminished role in the group following his illness. Restored to fitness and briefly back in the fold, he contributed one original song to Streets, (\"Turn It Loose\"), and also added a vocal cameo to Simmons' tune \"Wheels of Fortune.\" He also made live appearances with the band in 1976 (documented in a concert filmed that year at the Winterland in San Francisco, excerpts from which appear occasionally on VH1 Classic), but was sidelined once again in the fall due to exhaustion. None of Johnston's songs appeared on Fault Line, though he had written and the band had recorded five of his compositions for the album. Finally, before Fault Line was released, Johnston had his songs removed and he left the band that he co-founded (though he received credit for guitars and vocals and was pictured on the album's inner sleeve band photo). He embarked on a solo career that eventually yielded one modestly successful Warner Brothers album Everything You've Heard is True (1979) and the less successful Still Feels Good (1981).\n\nDuring the period of transition, the band also elevated former roadie Bobby LaKind to onstage vocalist and percussionist. In the studio, LaKind first contributed percussion to Streets. He had joined the road crew in 1974.\n\nAfter almost a decade on the road, and with seven albums under their belts, the Doobies' career unexpectedly soared with the success of their next album, 1978's Minute by Minute. It spent five weeks at the top of the music charts and dominated several radio formats for the better part of two years. McDonald's song What a Fool Believes, written with Kenny Loggins, was the band's second #1 single and earned the songwriting duo a Grammy Award for Record of the Year. The breezy, McDonald-penned title song received the Grammy for Pop Vocal Performance by a Group and the album was honored with an Album of the Year nod. Among the other memorable songs on the album were \"Here to Love You,\" Dependin' On You (co-written by McDonald and Simmons), \"Steamer Lane Breakdown\" (a Simmons bluegrass instrumental) and McDonald's \"How Do the Fools Survive?\" (which featured a lengthy guitar coda improvised by Baxter in a single take, according to a 1980 interview in Guitar Player Magazine). Nicolette Larson (whose best-known hit was Lotta Love) and departed former bandleader Johnston contributed guest vocals on the album.\n\nThe triumph of Minute by Minute was bittersweet, however, because it coincided with the near-dissolution of the band. The pressure of touring while recording and releasing an album each year had worn the members down. Jeff Baxter and Michael McDonald had been in the midst of a creative conflict for some time. McDonald desired a simple, polished rock/R&B sound while Baxter insisted on embellishing guitar parts in an increasingly avant garde style. (Both McDonald and Baxter elaborated on the matter in the documentary series Behind the Music, which aired on VH1 in February 2001.) Just as Minute by Minute's monumental success had become apparent, founding drummer Hartman, longtime guitarist Baxter and LaKind exited through the revolving door. A two-song set on the January 27, 1979 broadcast of Saturday Night Live (with guest host Michael Palin ) marked the final television appearance of this lineup, and a brief tour of Japan marked the last live performances of the band in its middle-period configuration. (Hartman subsequently joined Johnston's touring band in 1979 and taped an appearance with Johnston that aired on Soundstage in 1980.)\n\nWith the surprise smash album embedded in the charts and more money to be earned on the road, the remaining Doobies (Simmons, Knudsen, McDonald and Porter) decided to forge ahead. In 1979, Hartman was replaced by ace session drummer Chet McCracken, and Baxter by multi-instrumental string player John McFee (late of Huey Lewis' early band Clover); Cornelius Bumpus was also recruited to add vocals, keyboards and saxophone to the line-up. This line-up toured throughout 1979, including stops at Madison Square Garden and New York City's Central Park for the No Nukes benefit shows with like-minded artists such as Bonnie Raitt, Crosby, Stills & Nash, James Taylor, Carly Simon, Jackson Browne, Bruce Springsteen and John Hall.\n\n1980 marked the return of LaKind to the lineup as a full member and the Doobies released their ninth studio album, entitled One Step Closer. The LP featured the hit title track and the Top Ten smash \"Real Love\" (not to be confused with the John Lennon composition) but did not dominate the charts and the radio as Minute by Minute had two years earlier, largely due to an over saturation of the \"McDonald sound\" by many other artists (such as Robbie Dupree's hit Steal Away, which copied the \"McDonald sound\" nearly note for note) heard on the radio at that time(Not to mention McDonald's numerous guest vocal appearances on hits by other artists at that time, such as Kenny Loggins, Christopher Cross, Nicolette Larson and others). The album itself was also musically far weaker than the previous three with the band itself sounding tired and seemingly little more than McDonald's \"backup band\" by then (according to contemporary references at that time). Long frustrated with the realities of relentless touring and yearning for a stable home life, as well as battling self-admitted problems with cocaine, Porter left the band after the recording of Closer. Renowned session bassist Willie Weeks joined up and the Doobies continued touring throughout 1980 and 1981. (Post-Doobies, Weeks has performed with the Gregg Allman Band, Eric Clapton and many others.) Also during this tour, session vet Andy Newmark stepped in briefly for Knudsen, who was in rehab then.\n\nBy the end of 1981, even Simmons had resigned from the band. Now faced with the prospect of calling themselves \"The Doobie Brothers\" with no remaining original members, a sound that was light years away from their original version and a \"leader\" in McDonald that was ready for a solo career, the group elected instead to disband, and even this wasn't decided upon until after a rehearsal done without Simmons, in a vain attempt to keep the band going, according to an interview with McDonald for \"Listen To The Music,\" the Doobie Brothers official video history/documentary released in 1989. He went on to say in that interview that at that point they couldn't have gotten further away from the Doobies sound if they had tried to. The reluctant Simmons, already hard at work on his first solo album, rejoined for a 1982 farewell tour on the promise that this truly would be the end. At their last concert at the Greek Theater in Berkeley, they were joined onstage by founder Tom Johnston for what was presumed to be the final rendition of his staple, \"China Grove.\" Former members Porter, Hossack and Hartman subsequently took the stage for an extended version of \"Listen to the Music.\" Knudsen sang while Simmons, Johnston and McFee traded licks on guitar. Of all the members through the years, only Shogren was absent when the group took its \"final\" bow. The live album Farewell Tour followed in 1983.\nOn February 8, 2005, Keith Knudsen, who'd been battling cancer for almost ten years, died of pneumonia at Kentfield Rehabilitation Hospital. Former Vertical Horizon drummer Ed Toth was selected to fill Knudsen's drum seat as the band soldiered on.\n\nJohnston was forced to miss several shows in the summer of 2007 following an operation for a throat ailment. Upon his return, he received vocal assistance from Simmons and McFee on certain tunes that he had traditionally sung in their entirety.\n\nThe Doobies provided the half-time entertainment for the FedEx Orange Bowl football game on January 1, 2009 in Miami, Florida.\n\nFor their 2010 summer tour they were (as previously in 1999 and 2008) once again paired with the band Chicago.\n\nIn May 2010, Skylark was forced to sit out due to a stroke. John Cowan returned to substitute in for Skylark. A few months later, Hossack was forced to sit out due to cancer. Tony Pia, a member of the Brian Setzer's Orchestra, came in to substitute for Hossack. On March 12, 2012, Hossack died at his home in Dubois, Wyoming.\n\nOn July 6, 2010, The Doobie Brothers announced a new album entitled World Gone Crazy, produced with their long-time producer Ted Templeman, which was released on September 28, 2010. The first single from the album, entitled Nobody, can be listened to on their official website.[11] They have also announced plans to release a DVD compilation of live performances and television appearances from throughout the group's long career.\n\nThe group continues to tour heavily and remains a popular concert draw. From 2005 through 2007 they headlined benefit concerts at manager Cohn's B.R. Cohn Winery in Glen Ellen (once again sharing the stage with \"special guest\" McDonald in 2006). They have maintained a continuous and active presence on the Internet through their official website since 1996.\n\nAs of March 2012, five members of The Doobie Brothers family are deceased: percussionist LaKind in 1992 following his lengthy struggle with terminal cancer; original bassist Shogren of unreported causes in 1999; Bumpus of a heart attack in 2004 while in the air en route to California for a solo tour; drummer and activist Keith Knudsen in 2005 of cancer and chronic pneumonia; and drummer Michael Hossack of cancer on March 12, 2012. Read more on Last.fm. 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America

America shows map

America played 1 shows